Posted by: thelionsface | June 18, 2010

The Lion’s Face Review on Whatsonstage

Operatic characters frequently lose their reason, notably in the works of the bel canto era. It’s usually a tuneful matter with the audience afforded the further comfort of knowing either that it will all come right in the end or that the delusion acts as a cushion against fatal violence. Elena Langer and her librettist Glyn Maxwell put an altogether darker scenario before us in The Lion’s Face.

Read the entire review here

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